Cross of Iron (1977)

Germany, United Kingdom

Drama, Action, History, War

Rapid Film, EMI Films, Terra-Filmkunst, Alex Winitsky / Arlene Sellers Productions

James Coburn, Maximilian Schell, James Mason, David Warner, Klaus Löwitsch, Vadim Glowna

Sam Peckinpah

Julius J. Epstein, James Hamilton, Walter Kelley

Taglines: On the Eastern front in 1943, the German soldiers no longer had any ideals. They were not fighting for the Party—but for their lives!

hostility, world war ii, battle for power, troops, commander, lieutenant, sergeant

It is 1943, and the German army—ravaged and demoralised—is hastily retreating from the Russian front. In the midst of the madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich is still vastly superior to the Russian army. However, within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors.

Reviews:

Author: Wuchak
**_Brutal Germans vs. Russians WW2 flick with James Coburn and Maximilian Schell_** As defeat looms on the Eastern Front, an awarded, but battle-worn German NCO (Coburn) vies with a newly-appointed captain, a Prussian aristocrat, who’s obsessed with obtaining the Iron Cross (Schell), even if he has to get it by fraud. James Mason and David Warner have peripheral roles. Loosely based on the true story of Johann Schwerdfeger, “Cross of Iron” (1977) was helmed by Sam Peckinpah and, therefore, is unsurprisingly filled with bloody carnage (much of it in slow-motion), alcohol-consumption and a generally pessimistic view of life. As typical, the protagonist is a loner who desires to be honorable but is forced to do whatever is necessary to survive in a world of nihilism and brutality. Some might complain that Coburn was 48 playing a man who was 28 at the time of the events. Yet producers were naturally more interested in a big-name actor with the charisma to fill seats at the cinema than they were in being technically accurate. And, honestly, Coburn’s performance is one of the top attractions. As far as I know, this was the first major film released in North America to be set on the Eastern Front. Since the protagonists were Germans it’s no surprise that it didn’t do well in the US and Canada, but it was successful in Europe and has developed a strong cult following. The core story needed to be better elucidated, but if you use the subtitles it isn’t too difficult to figure out. People complain about the disorienting combat sequences (right out of the gate), which is valid, but they successfully depict how modern combat is experienced by those in the field. Despite the film’s issues, there are several highlights, including the great action, the palpable tension between Steiner and Stransky, Coburn and Schell’s performances, the bleak reflections on life and the late sequence involving a female Russian detachment. But why does Steiner hate ALL officers, which strikes me as unconvincing? What's he expect, that there be NO ONE in charge of strategic military operations? If someone respects & supports you, like Col. Brandt does with Steiner, you should appreciate it. I think it comes down to how battle-weary Steiner was, not to mention he didn't even believe in the Nazi-led cause of Germany. I also believe it's a matter of Steiner being a sigma male while officers are typically alpha males. The movie runs 2 hours, 7 minutes, was shot in Trieste in northeastern Italy and Obrov in Slovenia, as well as Zagreb and Savudrija in Croatia. Interiors were done at Pinewood Studios outside London, to the west. GRADE: B/B+