The Favourite (2018)

Ireland, United Kingdom, United States of America

Drama, Comedy, Thriller, History, Dual Audio

Waypoint Entertainment, Element Pictures, Scarlet Films, Film4 Productions, Fox Searchlight Pictures

Emma Stone, Olivia Colman, Rachel Weisz, Nicholas Hoult, Joe Alwyn, Mark Gatiss

Yorgos Lanthimos

Tony McNamara, Deborah Davis

Taglines: It’s fun to be Queen sometimes.

great britain, queen, rivalry, rabbit, lgbt, 18th century, cousin cousin relationship, duchess, palace intrigue, aristocracy, british monarchy, war of the spanish succession, drop disease, queen anne, film in chapters

England, early 18th century. The close relationship between Queen Anne and Sarah Churchill is threatened by the arrival of Sarah's cousin, Abigail Hill, resulting in a bitter rivalry between the two cousins to be the Queen's favourite.

Reviews:

Author: John Chard
Some wounds do not close; I have many such. One just walks around with them and sometimes one can feel them filling with blood. The Favourite is directed by Yorgos Lanthimos and written by Deborah Davis and Tony McNamara. It stars Olivia Colman, Rachael Weisz, Emma Stone, Faye Daveney, James Smith, Mark Gatiss, Willem Dalby and Nicholas Hoult. In early 18th century England, a frail Queen Anne (Colman) occupies the throne and her close friend, Lady Sarah (Weisz), governs the country in her stead. When a new servant, Abigail (Stone), arrives, her charm endears her to Sarah. A critical darling with awards and nominations to match, The Favourite, to me at least, is something of an acquired taste. Firstly it should be noted that as a history lesson it's pure bunkum, so much so I wondered if Lanthimos is actually Mel Gibson. Though to be fair to Lanthimos, he never hid from the fact he and his writers were pretty much making it up for entertainment purpose. The craft on show is top level, with three high quality lead lady performances giving their all for the director. Lanthimos also has some nifty camera tricks up his sleeve, it's clear that this is a talent to follow for those so inclined to his off kilter type of film making. Helps, too, that the costuming and set designs are also from the top draw. It's hard to fault from a production standpoint. Narratively the pic is pulsing with parliamentary politics that blends with royal shenanigans. Yet ultimately the prime concern is about the battle for Queen Anne's soul between Sarah and Abigail. This consistently remains fascinating, even as Lanthimos continues to sex things up and pitches black comedy alongside the tragic thrum at the core. It's an odd mix of a film that I personally don't think works as a whole, and with the finale a crushing disappointment, it leaves one in awe and yet also unsatisfied. 7/10